Category: Gear

  • Where the Sandbag Actually Goes

    I was halfway through a corporate headshot session—the kind where the CEO is already checking their watch every thirty seconds—when I heard that sickening, slow creak of a C-stand beginning to tilt. It wasn’t the light that was the problem, or even the heavy softbox; it was the fact that I’d been too rushed to…

  • A Falling Stand Is the Most Expensive Mistake

    I remember a shoot for a corporate team in a rented loft—the kind with polished concrete floors and zero regard for physics. I had a heavy octabox mounted on a cheap, spindly stand that I’d grabbed because it looked “good enough” on the spec sheet. Halfway through the session, as I was asking the CEO…

  • Radio Beats Optical Every Time

    I once spent forty minutes in a drafty studio in East London, sweating through my shirt while trying to coax a CEO into a natural smile, only to realize the issue wasn’t my composition or the light—it was the fact that my trigger had decided to go on strike. There is nothing quite as soul-crushing…

  • Guide Numbers Mean Less Than Recycle Time

    Stop looking at the spec sheets for a second and listen: most of the gear reviews you read are just expensive marketing disguised as advice. They’ll tell you that a higher guide number is the holy grail, but they won’t tell you what happens when you’re stuck in a windowless corporate boardroom with a client…

  • Two Cards Writing at Once

    I remember standing in a drafty studio three years ago, staring at a blank screen while a client—who had already changed their mind about the lighting twice—waited impatiently for their proofs. I had shot the entire session on a single, expensive card that had decided, quite suddenly, to become a useless piece of plastic. It…

  • What You Can Still Get Back

    I remember the exact moment the dread set in: a wedding client’s face going pale as my laptop screen flashed a cryptic error message, and the sudden, sickening realization that my SD card was unreadable. Most “experts” will tell you that you need to buy a $500 proprietary software suite or ship your hardware off…

  • Stop Shooting the Moment It Errors

    I was halfway through setting up a single Profoto strobe for a corporate headshot—the kind where the client is already checking their watch every thirty seconds—when the payment notification on my phone went dead. It wasn’t a gear malfunction or a lighting issue; it was a declined transaction. Most “business gurus” will tell you that…

  • Buy Smaller Cards, Buy Good Ones

    I once spent forty minutes in a dim studio, trying to coax a CEO out of a defensive posture, only to have my heart drop into my stomach when my screen flashed a cryptic error message. It wasn’t the lighting, and it wasn’t the lens; it was a cheap, bottom-shelf SD card that decided it…

  • Twelve Hours and Three Batteries

    I once spent three hours in a drafty studio in East London, trying to coax a decent headshot out of a CEO who was convinced he looked “too much like a thumb,” only to have my primary camera die right as the light finally hit the modifier perfectly. It wasn’t a technical failure of the…

  • Condensation Does the Damage, Not the Cold

    I once spent forty minutes in a freezing courtyard in Warsaw, trying to coax a decent portrait out of a client who was shivering so violently her teeth were practically a percussion instrument. I wasn’t worried about the sensor freezing or the shutter seizing up—I was worried about the sheer panic of realizing my battery…