Category: Portraits
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Say What You Want Them to Feel, Not Do
I once spent forty minutes in a drafty studio with a CEO who had decided, mid-session, that his chin was “too much of a chin,” and all the expensive lighting modifiers in the world couldn’t fix the fact that he was physically recoiling from my voice. Most photography courses will tell you to use “positive…
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The Five Minutes Before the First Frame
I once sat in a studio for three hours watching a “masterclass” photographer try to use some psychological trick involving mirror imaging and forced laughter to get a client to relax. It was exhausting to watch, and frankly, it was fake. If you think you can master how to build rapport in five minutes by…
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The Dog Decides When the Shoot Ends
I once spent forty-five minutes in a drafty living room, sweating through my linen shirt, trying to figure out why a golden retriever was looking everywhere except the lens while his owner looked like she was about to burst into tears of sheer frustration. You can buy the most expensive macro lens or a studio…
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Safety Comes Before Every Shot
I once spent forty minutes setting up a softbox and a reflector, only to realize the heat from my lights was making the baby fussy, and the sudden change in room temperature was making the mother visibly anxious. Itβs a classic mistake. Most photography blogs will tell you how to achieve that perfect, milky skin…
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Lines Are Not Something to Remove
I remember sitting in a drafty community hall three years ago, watching a junior photographer try to “fix” an eighty-year-old man by cranking up a softbox and praying for a smile. He was terrified of the wrinkles, treating the subject’s face like a technical error to be smoothed away rather than a map of a…
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Get Down to Their Eye Level
I remember a shoot three years ago where the lighting was perfect, the modifier was exactly where it needed to be, and yet everything felt wrong. I was trying to frame a corporate portrait, but I spent the first twenty minutes obsessing over the height of my tripod instead of actually talking to the person…
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One Window Is a Complete Studio
I once spent forty-five minutes in a drafty studio in East London, sweating through my shirt while trying to justify a massive softbox setup to a client who just wanted “something natural.” I was staring at my light meter, obsessing over Kelvin temperatures, when I realized the most beautiful light in the room was coming…
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Twenty Minutes That Flatter Everyone
Everyone tells you that learning how to shoot a portrait at golden hour is the magical shortcut to a professional portfolio, but they usually forget to mention the part where youβre sweating through your shirt while chasing a sun that refuses to cooperate. I remember one shoot in a field outside Warsaw where I spent…
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Find the Edge of the Shade
I once spent forty minutes sweating through my shirt in a public park, trying to rig a massive, expensive octabox to a tripod because I thought I needed to “control” the sun. My subject, a nervous architect who kept twisting his wedding ring, was getting more agitated by the second, and frankly, the light was…
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Midday Sun Is Not a Reason to Go Home
I once spent forty minutes chasing a client around a courtyard in July, trying to find a “perfectly soft” patch of shade that didn’t exist, only to realize I was fighting a losing battle against physics. Every photography course tells you to wait for the golden hour or hide under a canopy, but sometimes the…
